In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of Italian workerists during the 1960s and 1970s. From leaflets and newspapers to books, internal documents and workers' enquiries; the operaisti deployed a wide variety of printed materials in their efforts to organise among new subjectivities of mass rebellion.
As Wright demonstrates, the practice of working with print was a central part of what it meant to be a workerist or autonomist militant during these years: one that throws light both on the meaning of political engagement, as well as the challenges posed by the use of technologies of communication and by emergent social subjects.
In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of Italian workerists during the 1960s and 1970s. From leaflets and newspapers to books, internal documents and workers' enquiries; the operaisti deployed a wide variety of printed materials in their efforts to organise among new subjectivities of mass rebellion.
As Wright demonstrates, the practice of working with print was a central part of what it meant to be a workerist or autonomist militant during these years: one that throws light both on the meaning of political engagement, as well as the challenges posed by the use of technologies of communication and by emergent social subjects.
Aubrey Price is in the final months of her undergraduate degree at the University of Toronto. Bright, witty, and fiercely independent, Aubrey works part-time for the college dean and has her sights...
In a world where words can wound or heal, inspire or destroy, what we say and how we say it matters. "The Unyielding Weight of Words" is a captivating collection of poems that delves...
In the late seventeenth century, theater and print began the history of their tense relations and imperfect alliance. Plays, of course, had been printed in England for more than a century. However,...
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