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LithoMania

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In LithoMania, part of the Design Lab exhibition series at the Kunstgewerbemuseum in Berlin, students from the Idar-Oberstein campus of the Trier University of Applied Sciences explore the complex ambivalence of gemstones in objects, drawings, photographs, and texts. Text in English and German.
Hardback
01-June-2022
272 Pages
RRP: $67.99
$63.00
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In LithoMania, the Department of Gemstones and Jewellery at the Trier University of Applied Arts/

Campus Idar-Oberstein explores new perspectives in the artistic engagement with precious stones.

Here the students address ethical issues regarding the mining of materials and develop approaches

that place the highly traditional stones in a modern context.

The ambivalence of themes such as ecology, consumption, value, identity, and time are debated

and then integrated into the creative process. The lithomania of the title is expressed not only in the

fascination with the luminous and colorful appearance of the precious stones but also in the obsession

with how they are worked.

The students' poetic contributions restore a lightness to the material with which new inroads and

a freedom in artistic expression become possible. The associative processes are presented in photos

of experiments, documentation of objects, views of the workshops, and photographs of the jewelry

being worn.

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RRP: $67.99
$63.00
In Stock: Ships in 5-7 days
Hurry up! Current stock:

LithoMania

RRP: $67.99
$63.00

Description

In LithoMania, the Department of Gemstones and Jewellery at the Trier University of Applied Arts/

Campus Idar-Oberstein explores new perspectives in the artistic engagement with precious stones.

Here the students address ethical issues regarding the mining of materials and develop approaches

that place the highly traditional stones in a modern context.

The ambivalence of themes such as ecology, consumption, value, identity, and time are debated

and then integrated into the creative process. The lithomania of the title is expressed not only in the

fascination with the luminous and colorful appearance of the precious stones but also in the obsession

with how they are worked.

The students' poetic contributions restore a lightness to the material with which new inroads and

a freedom in artistic expression become possible. The associative processes are presented in photos

of experiments, documentation of objects, views of the workshops, and photographs of the jewelry

being worn.

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