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Gee Vaucher
Gee Vaucher
Gee Vaucher
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Gee Vaucher

Rebecca Binns
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This book situates and critically assesses the substantial body of work created by Gee Vaucher within a lineage of twentieth- and twenty-first-century art history, including radical art production of the 1970s, political protest and street art and punk design, as well as cultural, socio-economic, political and historic contexts.
Hardback
01-December-2022
240 Pages
RRP: $185.00
$178.00
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Description  
As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands.
This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.
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RRP: $185.00
$178.00
In Stock: Ships in 7-9 days
Hurry up! Current stock:
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Flat Rate Shipping  
Easy Returns  

Gee Vaucher

RRP: $185.00
$178.00

Description

As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands.
This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.

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